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This is one of the most left field recordings to ever come out of Mali. If Sahel Sounds has emerged with a hands off approach, recording as a fly on the wall, Fasokan is a radical departure. The result is a strange hybrid, wholly unique in sound. In execution, Fasokan finds itself back to Mali, at once strikingly familiar — with the measured voice speaking over a looping melody, offering sage advice for a new world. Butler produced Hey Mr Ferryman and played all of the electric guitar, bass, and keyboard parts on the album. Of that voice, Pitchfork once wrote: A haunting aura caught me while I was recording this music, in the attic of my home in La Cumbre, at dusk, as a fairy tale.

Usually when I finish a record, I draw a line under it and move onto the next concept, with the explicit desire to do something different. Space is a pretty big place! This culminates in the 13 minute title track, which I feel is one of my most audibly rich, melodically complex tracks to date. The endless themes of space have been explored countless times by artists in Message sex in garzon past. As usual, I hope you enjoy where it takes you. Today she announced a set of U.

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Повседневные хлопоты уходят на задний план, а мысли становятся легкими, как облако. Закройте глаза и насладитесь этими глотком свежего воздуха, который вселит в вас надежду на лучшее. For the music, made with a small number of instruments electric piano, glockenspiel, DX7, handheld cassette recorder Deupree originally set out to create a follow-up to his classic album Stil. The result is warm and quietly decayed work of spare, discreet tones and dozens of interwoven slow polyrhythms that create repetitions that constantly fall apart and shuffle themselves back together. Тееn Dаzе — образованный в году в Ванкувере, музыкальный проект канадского электронного музыканта Джеймисона Айзека Jаmisоn Isааk из Эбботсфорда, Британская Колумбия.

Джеймисон взял себе сценический псевдоним Тееn Dаzе еще будучи подростком. Его первые альбомы, которые были выпущены в году, сразу привлекая к себе пристальное внимание музыкальных интернетовских и печатных изданий, таких как Рitсhfоrk Меdiа. С продюсером Jоhn Vаndеrsliсе музыка Тееn Dаzе еще больше сместилась к соединению стиля чиллвейв с инди-поп-саундом, для которого Джеймисон добавлял собственные вокальные партии. But these massive edifices are prototypes of a city of the future — an urbanized future that was yet to be shaped by bold ideas and dreams.

Meandering across the endless corridors of Nuovo Corviale or Rozzol Melara is like a surrealist hike through the realities of thousands of inhabitants of a beehive. And although the walls are made from rigid concrete, they have an organic feel to them. Facades move, shapes shift. Human demands are stronger than concrete and nature will always find a way. Alveare is a look at drawing board visions cast into concrete and their human adjustments. Сам Лекман пишет, что после прошлого альбома, вышедшего в году, он очень сильно устал от самого себя, впал в ипохондрию, стал тревожен, потерял вдохновение. Чтобы выйти из такого состояния, ему потребовались: Этот альбом о том, как быть близким кому-то, кто сильно болен, но не знать наверняка, насколько вы в действительности близки; об избегании конфликтов и первой большой ссоре в отношениях; о выборе того, с кем ты хочешь быть; о духах, которые преследуют годами, и о воспоминаниях, с ними связанных; о печали, вызванной невозможностью выразить свою любовь; о сжигании мостов.

When Ahmed Gallab sings, he sounds unafraid yet vulnerable. But while he once sang of feeling like he was on the planet Mars, Ahmed is now firmly grounded on Earth. Стиль Sinkаnе сочетает в себе рок, краутрок, фанк, джаз и суданской поп. На его музыку повлияло то, что по первости в Америке он чувствовал себя как посторонний, и это стало темой его песен. Touches of Ben Folds piano and prodigious use of strings mean you can almost feel the wind in your hair as you drive with the top down through Laurel Canyon. Роб Гарса и Эрик Хилтон.

Группа была образована летом года в Вашингтоне, она умело смешивает разные стили, такие как даб, джаз, трип-холп, регги, индийскую и афро-кубинскую музыку. Песни исполняются на английском, французском, португальском, испанском и персидском. Трип-хоп и эйсид-джаз — это только условные границы, которыми можно очертить музыку Тhiеvеrу Соrроrаtiоn. В альбомe они изображают Лондон, а именно квартал Сохо, в прямо таки диккенсовских тонах, без прикрас — там и проститутки, игроки, и ограбления, и пьяная атмосфера, и смерть и прочие тёмные стороны, причём, всё навеяно личными воспоминаниями музыкантов, по их словам.

Трио работает в мрачном комедийно-трагичном стиле театра Grаnd Guignоl с элементами брехтовского кабаре и чёрного юмора. Still, 14 years on from their softly-softly debut More Than the Other comes Wilderness: A note about this EP: This is the first of those, and I already have two more underway, each with very different styles. I usually sit on recordings for 6 — 12 months before they finally come out, just because records take so long to set up and manufacture. This is a very welcome change. He was building the videos as I was making the music, and they started to influence each other. The end result was a strange kind of collaboration, one that neither of us have ever done before.

So I really think this all makes the most sense when you watch it. But if you just wanna watch the videos and not worry about that, the option is there. Otherwise, there are no controls. The 3 songs are built to be a cycle, and the lyrics are really all about that. When you log on to the site, it will put you at a point in the cycle, and you cannot stop it. That is my personal favorite presentation of this whole concept. Sital-Singh released a second EP in the spring of called Old Flint, which opened the doors to several tours, key spots on the U. Tornados, his third EP and first for Parlophone, found him again working with Iain Archer and was released in late The EP found Sital-Singh expanding his usually spare sound with the introduction of a full complement of backing musicians, bringing a newfound complexity to his music.

He then appeared on the BBC Sound of long list, and soon after confirmed the details of his debut album, The Fire Inside, which was due for release midway through that year. Their latest effort will be released by Fuzz Club on February 15th Perhaps what is most exceptional about The Underground Youth is their ability to create a brooding melting pot of psychedelia, post-punk, Berlin chillwave, goth and shoegaze but delivered with a dreamy pop sensibility. Он проживает в Манчестере и является единственным постоянным участником своего детища. Никаких попсовых ноток, всё сдержанно, мрачно и весьма достойно.

В одной из представленных в плейлисте композиций Крэйг Дайер вспоминает Майю Дерен, хореографа и режиссёра американского независимого кино, оказавшую влияние, в частности, на Дэвида Линча. One collection of coversand Sxey full-length collaboration with Jesu. Check out the tracklist below. Fantasizing About Being Black is Otis Taylor s poetic musical exploration from the voyages of slave ships to the Mississippi Delta with a raw and haunting multi-instrumental blend that reveals the connection of history to modern day events; features musical guests Jerry Douglas, Brandon Niederauer and Ron Miles.

Грустная, депрессивная, но по моей шкале еще не самая безысходная.

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Я умею писать мрачнее. Она не о политике, она о нас, об inn обыденной ежедневной singlew. На каждом моем альбоме, помимо riize о социальных проблемах, есть две-три такие, лирические. Listeners can stream it live by going to http: The even-dozen songs feature Taylor backed by ln band that includes Goran Grini Sezy an assortment of instruments, as well as John Platania on guitar and special guest Greg Leisz on pedal steel guitar. While the clouds of pessimism hover, rays of sunshine cut and break thru with two new tracks for healing and conquering the shadows that i. Peaking Lights production is a playfully psychedelic mid tempo love jam with a lot of ij.

On rizr flip is Conga Blue with the Swxy to follow. Each song on Hounds Tooth is interesting and captivating — well-written and well-produced. Original sessions were delayed after Angus had a snowboarding accident. After a long period of rehabilitation, learning to walk again after stretches of heavy hospital sedation on high-grade pain relief, Stone expanded his songwriting singoes to transform spontaneous jams into gems. When Oberst wrote and recorded Looking for a lunch buddy in lisbon songs on Ruminations, entirely solo—with just singlea, piano, guitar and harmonica—he intended to ultimately record them with Sexy singles in rize full band.

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In other territories this decision will translate into a reduced price for the app. As a thank you to anyone who has paid the higher original price for the app, we are making available a free download of a new piece of music created with similar algorithms to those in Reflection. This will be available to anyone who has purchased the app to date and will be available to download until 28th February. Этот релиз является подарком для всех скачавших приложение на iPhone. Хорошо это или плохо — вопрос интересный. Эмбиент всегда служил для заполнения пространства — был музыкой которая не мешает, если не вдаваться в поджанры. Брайан Ино, в свою очередь, снова показывает нам, что он идёт в ногу со временем и открывает новые неизведанные горизонты.

The two kept plenty busy with their respective solo careers, so it took until for a Talaboman full-length to appear. The Night Land is appropriately casual and unhurried, with track times stretching well past the five-minute mark, and each song seeming like a document of an extended late-night session. Then they end it with a bizarre, cheeky sample of movie dialogue, where a woman confirms with a man that he wants to sexually stimulate her using an android. Boman and Talabot seem to have enjoyed themselves coming up with these gritty, off-the-cuff tracks, and The Night Land is easily enjoyable without being too safe or conventional.

Obviously you might even think about the three in the morning, but I wrote the song starting from this suggestion, thinking about what is a significant time to me on a daily basis, a kind of turning point, metaphorically the beginning of a new chapter for Blonde Redhead. The short-player was recorded in New York State and produced by the band. Eyvind Kang contributes woodwind and string arrangements, which are performed by The American Contemporary Music Ensemble: Recorded over 10 years between the dust filled caverns of the Mojave Desert to the marine layer rust of Los Angeles. A must for hip-hop heads,jazz cats,rockers and funk freaks. The record feels very homespun, like some friends having fun jamming in a garage or basement who just hit the record button casually.

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